Archive for April 11th, 2012

April 11, 2012

Edgar Rice Burroughs, A Princess of Mars

Before I watched John Carter last month I reread A Princess of Mars for the first time in many years. I realised I’d forgotten most of the plot but very little of the feel of the place – for all its problems (and they are legion) Barsoom is a truly epic setting.
Because I am a lazy person, this month’s short column for Kindle magazine was about A Princess of Mars.

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For most of human history we have known very little about space – for that matter, we still do. Dreams of space travel once focused primarily on the moon, the heavenly body most visible to the naked eye. But then telescopes were invented and we began to learn more about the planets, our knowledge growing with improving technology.

In the 1870s the Italian astronomer Giovanni Schiaparelli discovered a strange feature on the surface of Mars – the appearance of straight lines. He called these “canalli”, or “channels”. When Schiaparelli’s findings were translated into English the relatively innocent “canalli” was translated as “canals”, the latter word carrying the connotation that these lines were man- (or martian-) made. This was probably the reason behind the flowering of fiction about Martians at the turn of the twentieth century.

Edgar Rice Burroughs’ A Princess of Mars is one such work of fiction, published in 1912. It tells of John Carter, a former confederate soldier and now gold prospector who, while fleeing from savage apaches (racial sensitivity is not one of the strong points of this book) stumbles into a mysterious cave and, in an incomprehensible series of events, has an out of body experience and is transported/astrally projected to Mars.

Carter’s early hours on Mars do at least pay lip service to the fact that it would be difficult to survive on a planet other than one’s own. He has trouble adjusting to the difference in gravity, and does not speak the language of the natives – Mars, or Barsoom, is home to various species of alien but they share a common tongue. This state of affairs does not last for long. Soon enough he is adopted by the four-armed green Martians (known as the Tharks), and it seems a matter of days before he has mastered their language, and begun to rise in their ranks. If all this seems something of a cliché, it’s because A Princess of Mars is one of the founding texts of the genre. It’s also why Carter is the least interesting thing about this book. Things get a lot more fun when the titular princess, the humanoid Dejah Thoris of Helium, shows up. In what is a rather scattered plot, Carter and Dejah Thoris escape, bring down a rival ruler, and unite the green and “red” (humanoid) Martians.

Yet the plot isn’t really that important. What makes A Princess of Mars work is Barsoom itself – a dying planet with a failing civilisation. We’re told very little of the history of Barsoom. We learn that there were once more humanoid races; that, like Earth, Mars once had seas. We’re told almost nothing of the strange old men who operate the machinery that keeps the Martian air breathable.

It’s easy to see why in John Carter, Andrew Stanton’s 2012 adaptation of the novel, the director should have chosen to jettison most of the plot, cobbling together a new one and focusing on the visual depiction of the planet. Because A Princess of Mars isn’t really a very good book, but Barsoom? Barsoom is glorious.

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April 11, 2012

A signal boost (with some added self-promotion)

Fabio Fernandes and The Future Fire have started a Peerbackers project to finance a collection of colonialism-themed SFF from outside the first world perspective.

Much widely distributed science fiction and fantasy is written by American and other Anglophone authors, and treats subjects close to the hearts of straight, white, English-speaking men. There’s nothing wrong with this sci-fi itself—we love lots of it—but there’s clearly something missing. Having white Anglo cis/hetero/males as (the only) role models is not an option any more. We aim to redress this balance, not only by publishing speculative stories by people with different viewpoints and addressing concerns from outside of the usual area (seeWorld SF), but also by explicitly including fiction that addresses the profound socio-political issues around colonisation and colonialism (see Race in SF). We want to see political stories: not partisan-political, but writing that recognizes the implications for real people and cultures of the events and actions that make up science fictional or fantastic histories, as well as our own history.

This looks like being an exciting project, and Fabio and Djibril are Good People. You can donate to the anthology here (where they also explain how much they hope to raise and how they plan to spend it). Hopefully some of you will also consider submitting work for consideration.

 

As for non-first-world sf that already exists, Zubaan’s Breaking the Bow, now has a cover which you can see here. This collection has been a long time coming – I’ve been suppressing my excitement about it for over a year now. It’s an anthology of speculative fiction based on the Ramayana and contains stories by Kuzhali Manickavel, Manjula Padmanabhan, Lavie Tidhar, Tabish Khair and Tori Truslow, among others, and is edited by Anil Menon and Vandana Singh (who also has a story in the anthology). There’s also a story by me; please do not read it though you may admire my name in the table of contents.

I’m still not sure when this is due out, except that it’s “soon”; but I get to share this because now that it has a cover it is a thing that exists.

Edit: I knew I’d forget something. The cover is by Pinaki De, who has been responsible for some of my favourite covers in Indian publishing over the last few years.